1
~1 h

Business writing in English for software engineers in Big 4 consulting. The course is not about the format of a letter but about pragmatics: why a Russian-speaking professional is heard as blunter than they are, and how that is fixed. Its axis is room for refusal: an English business message leaves the reader a way to object, decline or explain, and that room is created by the text rather than assumed. Six classes of softening, a 22-item RU→EN interference register, the softening ceiling (where directness is mandatory), the grammar of blameless causation. Genres: client email, code review, chat and tracker, escalation, refusal and change request, status and RAG, incident communication. Every example comes from an engineer’s working day on a project. Entry level B1–B2, model answers are given at two levels.
the order is free · the steps below are the order the author suggests, not a conditionView: map · steps
1
~1 h
2
Face, Distance, and Indirectness
~1 h
by the author’s design, after “Why We Sound Rude”
3
~1.5 h
by the author’s design, after “Face, Distance, and Indirectness”
4
The Ceiling: When Directness Is Mandatory
~1.5 h
by the author’s design, after “Six Classes of Softening”
5
~2 h
by the author’s design, after “The Ceiling: When Directness Is Mandatory”
6
~1.5 h
by the author’s design, after “Grammar Without Blame”
7
The Ask: Action, Owner, Date, Timezone
~1 h
by the author’s design, after “Anatomy: The Twelve Moves”
8
Writing for a Reader Who Isn't a Native Speaker
~1.5 h
by the author’s design, after “The Ask: Action, Owner, Date, Timezone”
9
~1.5 h
by the author’s design, after “Writing for a Reader Who Isn't a Native Speaker”
10 · команда
~1.5 h
by the author’s design, after “Code Review as a Genre”
11 · команда
~1.5 h
by the author’s design, after “Chat and Tracker”
12 · команда
Proposals and Design Documents
~1.5 h
by the author’s design, after “The Follow-up Ladder”
13 · клиент
~1.5 h
by the author’s design, after “Code Review as a Genre”
14 · клиент
~1.5 h
by the author’s design, after “Disagreement and Pushback”
15 · клиент
~1.5 h
by the author’s design, after “Refusal and Scope Creep”
16 · видимость
~1.5 h
by the author’s design, after “Code Review as a Genre”
17 · видимость
~1.5 h
by the author’s design, after “Status Reporting and RAG”
18 · видимость
Acknowledgement, Thanks, Handover
~1.5 h
by the author’s design, after “Incident Communication”
19
Capstone: One Friday, Four Channels
~2.5 h
by the author’s design, after 2 of these: “Proposals and Design Documents”, “Complaints and Escalation”, “Acknowledgement, Thanks, Handover”
20 · optional
~1 h
by the author’s design, after “Anatomy: The Twelve Moves”
final · in the browser, without the assistant
Exam
closed · enrol on the course
| 1 | Why We Sound Rude Объяснить, что эффект грубости в английском деловом письме создаётся не выбором слов, а тем, что формулировка не оставляет читателю выхода | ~1 h |
| 2 | Face, Distance, and Indirectness Различать угрозу автономии читателя и угрозу его профессиональному статусу и выбирать соответствующую починку | ~1 h |
| 3 | Six Classes of Softening Различать шесть классов смягчения и опознавать класс по конкретному выражению | ~1.5 h |
| 4 | The Ceiling: When Directness Is Mandatory Назвать контексты, в которых смягчение вредит: инцидент, находка по безопасности, фиксация факта, сорванный срок, жёсткое ограничение | ~1.5 h |
| 5 | Grammar Without Blame Строить безагентную каузацию четырьмя приёмами: пассив, номинализация, предложная причинность, неодушевлённое подлежащее | ~2 h |
| 6 | Anatomy: The Twelve Moves Собирать сообщение из ходов M1–M12, а не из шаблона | ~1.5 h |
| 7 | The Ask: Action, Owner, Date, Timezone Формулировать запрос с четырьмя обязательными элементами: действие, исполнитель, дата, таймзона | ~1 h |
| 8 | Writing for a Reader Who Isn't a Native Speaker Оценивать риск того, что смягчённая формулировка будет прочитана буквально | ~1.5 h |